
ENL1W Complete Course: Grade 9 English (De-streamed)
Everything you need to teach the new de-streamed Grade 9 English course for a full semester: six units, the literacy portfolio and conference, and a final exam.
Reading, writing, media and oral communication.
9 items

Everything you need to teach the new de-streamed Grade 9 English course for a full semester: six units, the literacy portfolio and conference, and a final exam.

Identity, voice and belonging: an identity iceberg, “Where I'm From” poems, point of view, memoir moves and a class story circle, ending with a personal narrative or spoken word showcase.

How language works: morphemes, word detective strategies, sentence remixes, grammar, punctuation “crime scenes,” cohesive ties and fluency, ending with reader's theatre.

First Nations, Métis and Inuit voices: story circles, short films from the NFB's free Indigenous Cinema collection, E. Pauline Johnson's poetry and contemporary texts, ending with a comparison task.

Digital footprints, privacy policies, kindness online, curated feeds, misinformation, fact-checking, a misinformation escape room and generative AI, ending with a fact-check report and a guide for younger students.

Novels in literature circles: a book tasting, six rotating roles, four circle meetings and mini-lessons on point of view, flashback, juxtaposition, allusion, inference, theme and style, ending with a literary analysis and book talk.

Research, design and persuasion: a problem-finding walk, empathy maps, fair surveys and interviews, a design sprint, ethos, pathos and logos, a written proposal and a Dragons' Den style pitch.

The literacy portfolio and conference, review lessons on sight texts, poetry and timed writing, and an original final evaluation with an answer key.

Five stand-alone ENL1W lessons for flex days, short weeks and supply teachers, each tied to specific curriculum expectations.
9 items

Everything you need to teach Grade 10 Academic English for a full semester: six units, an independent novel study, the culminating task, a final exam and five buffer lessons.

Short stories and personal narrative: four classic stories, a heist-map approach to plot and a personal narrative in each student's own voice.

Algorithms, ads, influencers, AI fakes, news framing and thumbnails, ending with a public service campaign students design themselves.

Rhetoric, argument and persuasive speech, from Lincoln and Sojourner Truth to a Shark Tank pitch and a three-minute talk.

Shakespeare's Macbeth through performance, investigation and debate: insults, a crime board, a group chat rewrite and a mock trial.

Upbeat OSSLT preparation with original practice passages, a reading relay, an error-hunt escape room and the official online practice test.

Poetry, lyrics and spoken word: blackout poems, classic poems, song lyric breakdowns and a class slam.

An independent novel study with check-ins, a student-led seminar and portfolio, and a final exam with an original sight passage.

Five no-prep, stand-alone English lessons for flex days, short weeks and supply teachers.
9 items

Everything you need to teach Grade 11 University English for a full semester: six units, the full texts of Othello, The Great Gatsby and every poem, story and speech, an independent novel study, the culminating task and a final exam.

Five critical lenses and five public domain stories (Leacock, Chopin, Gilman, Sui Sin Far, Mansfield), ending with a lens seminar and a literary analysis essay.

Rhetoric through Lincoln, Douglass, Sojourner Truth and Nellie McClung, then research, MLA and a researched argumentative essay.

Shakespeare's Othello act by act: Iago's manipulation, race and power, gender and tragedy, with a full reading edition of the play included.

From Shakespeare's sonnets to the Harlem Renaissance, the First World War and Modernism: 27 public domain poems, sonnet surgery and a recorded poetry reading.

Is the American Dream a promise or an illusion? Fitzgerald's novel chapter by chapter, with the full text included.

How documentaries and podcasts shape truth: documentary modes, an editing-room experiment, interview ethics, true crime, and a student podcast or mini-documentary.

The end of the course: an independent novel study with a comparative essay and seminar, review lessons, and a two-hour final exam with an original sight story and marking guide.

Five stand-alone ENG3U lessons for flex days, short weeks and supply teachers, each tied to specific curriculum expectations.
8 items
A free, complete semester of Grade 11 University English through First Nations, Métis and Inuit voices: six units, the independent study, a final evaluation, a course map, a day-by-day schedule covering every expectation and a course outline.
Launch NBE3U with land, Nations and treaties, respectful terminology, cultural text forms such as wampum, the four course themes and the truth of residential schools, ending in a research brief and an inquiry roundtable.
Deconstruct how First Nations, Métis and Inuit peoples have been represented in Canadian fiction, poetry, photographs, team names, film, textbooks and news, then answer stereotypes with the work of Indigenous creators.
Read Indigenous writers who answered their settler readers between 1885 and 1921: E. Pauline Johnson, Zitkála-Šá and Charles Eastman, included in full in a 32-page reader, with a comparative essay and a “then and now” seminar.
Study First Nations, Métis and Inuit oral traditions as texts, law and evidence: listening practices, wampum, story figures and protocols, the potlatch ban, revitalization and listening to a recorded teaching.
Literature circles on contemporary novels by First Nations, Métis and Inuit writers, chosen by the teacher, plus poems, a play and short fiction, the people who make Indigenous literature happen, and a literary essay.
Contemporary Indigenous media: APTN, NFB Indigenous Cinema, Isuma and Atanarjuat, documentary, music, podcasts, Idle No More and language technology, ending in a student-made spotlight media text.
The last unit of NBE3U: an independent study of a book by a First Nations, Métis or Inuit author with a comparative essay and seminar, review lessons, and a final evaluation built on an original sight text.
9 items

Everything you need to teach Grade 12 University English for a full semester: six units, the full texts of Hamlet, Frankenstein, A Doll's House, Trifles, The Machine Stops and every essay, poem and story, an independent study with critical sources, the culminating task and a final exam.

Six classic essays from Swift to Du Bois, rhetorical analysis, a satire lab and an original essay workshopped and published at an essay salon.

Shakespeare's Hamlet act by act: a Denmark case file, an “Is Hamlet mad?” evidence board, three stagings, four centuries of critics and a soliloquy showcase.

Mary Shelley's 1818 Frankenstein in full: three narrators, a responsibility ledger, the sublime, a tribunal and a researched essay with two critical sources.

Ibsen's A Doll's House and Glaspell's Trifles in full: power maps, Nora's ledger, a jury room, a missing-scene workshop and staged readings.

E. Pauline Johnson (Tekahionwake) in full, Duncan Campbell Scott read critically, the truth of residential schools, contemporary Indigenous creators and an inquiry presentation.

Forster's 1909 “The Machine Stops” in full, Zamyatin's We, the attention economy, design tricks, an algorithm game, spot-the-AI and a counter-campaign pitch.

The end of the course: an independent novel study with critical sources, a comparative essay and seminar, review lessons, and a two-hour final exam with an original sight essay and marking guide.

Five stand-alone ENG4U lessons for flex days, short weeks and supply teachers, each tied to specific curriculum expectations.
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